Here are the first 9 pages of KARMA POLICE, issue 1. Story by Chris Lewis, art by Tony Gregori, colors by Jasen Smith, letters by Nic J. Shaw.
Drones is published by Comics Experience and IDW. It is available NOW at your local comic shop, or digitally via Comixology. Meh-he-he.
For those who missed out on the Kickstarter, MIXMANCER is now on sale at Comixology for the low-low price of $1.99. Get on the mashup comic of the year by clicking here.
As we get closer to hitting our funding goal for Mixmancer, I’ve started putting together all my scripts for the “Script Selector” reward level. This will feature the script for Mixmancer, as well as at least 7 others that I’ve written over the last 7 years.
I just finished reformatting one from 2008, and it gave me quite a laugh. Chris Lewis ca. 2008 was waaaay into hitting the return key to get to the next page of the document. He also like using captions. A lot. I decided to reformat it to make it look (and read) like my current scripts, but I haven’t changed any dialogue or panel descriptions in order to make it look like I knew what I was doing back then. Because, really, I didn’t. The story, Little Earth People, was the first miniseries I wrote. A slightly altered version also saw the light of day in 2009 as part of DC’s Zuda competition. Check out that Joe Pekar art!
It would take hundreds of more hours at the computer before I would get to the point of being able to write something like Mixmancer, or my book Drones that is coming out in April via IDW and Comics Experience. Sometime in the intervening years I also figured out how to add page breaks.
In addition to LEP, you’ll see my script for the Intro To Comics Writing course from Comics Experience. That will take us to some Azkaban fan fiction that was also developed as part of the Comics Experience Creators Workshop (and which still cracks me up). Then it’s time for the first issue of Drones, the short story I contributed to the psychedelic Imaginary Drugs anthology (IDW), and two current projects I’m incredibly proud of.
Looking at these scripts, I realize they tell the story of my development as a writer. Sharing and remixing stories is at the heart of Mixmancer, and I’m excited to share this one with you.
Bro-hugs to all,
Artist Jonathan Brandon Sawyer did a pinup for the MIXMANCER Kickstarter. Here’s a process piece from layout to colors:
I’m in love with this hip-hop hipster chick. So glad he went with her rather than the dude he originally planned on drawing.
We’ve got more MIXMANCER pinups available at all reward levels $5 and higher. You can check ‘em out here. Thanks!
…just hire Yannick Fortin, graphic designer and Canadian extraordinaire!
A lot of people have been asking me who designed the logo for my new book MIXMANCER. Well, I was chatting with my editor Yannick Morin, and he introduced me to a friend of his. This is how the conversation went:
Yannick, je te présente Chris, un très bon ami à moi et un auteur qui n’en est pas à son premier comic. Il a besoin d’un logo pour son comic MIXMANCER, une histoire assez pétée de DJ cosmique qui peut remixer des hsitoires pour changer le monde. Pense rave+ psychédélique + métaphysique.
I said, “yeah, what Yannick said,” because I don’t understand that crazy talk. Then I wrote back to say, “please add some hip-hop to whatever it is you’re doing.”
Yannick (Fortin, not Morin) came back to me about a week later with this:
But I’m a greedy bastard and I wanted more! I asked Yannick to try out a horizontal version to see if it would fit better with the cover of the book. This is what he delivered:
And that’s the version we ultimately ended up going with. You can check out Yannick’s logo and the final cover over on the MIXMANCER Kickstarter page.
Creating a good logo is tough work – especially when your briefing is in French. So if you find yourself in need of a graphic design genius, a guy who can morph one idea into two equally attractive logos, give Yannick Fortin a ring.
Examples of Yannick’s work, as well as his contact information, can be found here.
We are live, ladies and gentlemen. It’s been a long time coming, but the MIXMANCER Kickstarter is finally here!
With the help of my friend and editor Yannick Morin, I finished writing MIXMANCER back in the summer of 2013. Afterwards, my collaborators Carlos Trigo, Andrew Crossley, and Nic Shaw brought it to life just in time for Emerald City Comic Con in March ’14. I ended up doing a very small print run and pitching it around to various publishers. Since then, MIXMANCER has just been hanging around, waiting for me to make a decision on how to bring it to a wider audience. Things finally came together when I saw what an amazing job Ryan K Lindsay did with his Kickstarter campaign for Deer Editor. (A book that is infinitely better than its Kickstarter campaign, as if that weren’t obvious.) And as MIXMANCER deals with themes of digital sampling and remixing, what better way to share it with the world than a (mostly) digital Kickstarter? (The obvious answer here would be to give it away for free online, but that would undermine my entire existence and deprive my comics-making slush-fund of needed duckets, yo!)
So here we are. It’s going to be a fun 30 days as we try to raise $1k for our little hip-hop sci-fi comic book mashup. This is a book that couldn’t be done at a traditional publisher, and in order to spread our devious meme we’re relying on the largess of complete strangers with incredibly good taste. People like you! And just as the book features various pieces of pop-culture spilling out of its innards, so too does the campaign have something for everybody. We’ve got a digital version of the book for just $2, as well as remixed interior pages, print copies, defaced works of art, talking pinups, and superstar commissions. This is the jam!
We do realize, however, that one person’s favorite tune can annoy the hell out of other people. If this doesn’t sound like your kind of thing, no problem. But maybe somebody in your social circle would totally be down with a Kool Keith / Swamp Thing-inspired one-shot. Every mention or share on social media can help us reach those potential readers, and we’re grateful for all the help we can get.
As one last bit of inspiration, I’ll leave you with something I heard long ago in the Parliament of Trees:
All our stories…are subtly…different…yet the underlying…pattern…remains constant
That’s what MIXMANCER is all about.
If you’re interested in the underlying pattern, please check out our subtly different story over on the campaign page.